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1. #IZOTOPE AUDIO EDITOR INSTALL#
2. #IZOTOPE AUDIO EDITOR PRO#
3. #IZOTOPE AUDIO EDITOR SOFTWARE#
4. #IZOTOPE AUDIO EDITOR SERIES#

Depending on the function, some can be previewed in real-time.

Many of the RX8 modules are processor-intensive. The Assistant presents A, B, and C preview options – pick one and tweak the settings further, if needed. However, you can also just start with Repair Assistant, which automatically analyzes the track and offers suggested processing. If you have a question about how a module works, click on the question mark icon in the upper right corner of the module panel and that takes you to iZotope’s website for reference information.

#IZOTOPE AUDIO EDITOR SERIES#

You can apply single effects or create a module chain containing a series of filters.

The right side of the interface presents the selection of effects modules. Tracks can be displayed as a waveform, spectrogram, or a mix of both. The RX8 standalone editor is truly a Swiss Army Knife of processing effects and at first glance might seem a bit daunting. Several of the existing processing effects have also been improved with better processing, more functionality, and/or improved module interfaces. The Wow & Flutter module can be used to correct speed and pitch variations in older soundtracks. Need to deal with a lo-fi voice-over recorded on a phone? This module can be used to restore frequencies above 4kHz and render a fuller voice recording. Spectral Recovery is ideal for news and documentary editors. It is used to remove recording issues, like string squeaks on acoustic guitars, pick attacks, and amp hum with electric guitars. Guitar De-noise will be of more interest to recording engineers than video editors. Besides interface changes and improved performance, RX8 includes three new processing modules. IZotope has been continually improving the RX technology from one version to the next and RX8 is no exception. Instead, use a “reveal in Finder” command to locate the track, open it in RX8, process it, and then bring it back into the host to replace the original clip.

#IZOTOPE AUDIO EDITOR PRO#

Unfortunately, the RX Connect roundtrip doesn’t work in current versions of Adobe Premiere Pro and Apple Final Cut Pro X. You can use the RX Connect plug-in within some DAWs and NLEs to roundtrip the track between the host and the RX8 application, much like Adobe’s dynamic link function. Most of the time you’ll find that it’s best to process a track in this external application first and then import the processed track into your editing application. However, when more extensive processing is required, then it’s time to use the RX8 Audio Editor application. If you are working in Audition or Premiere Pro, for example, and need to apply a De-clip or De-ess effect to a voice-over recording, then you can simply apply that individual iZotope filter to the track. In addition, a standalone application – the RX8 Audio Editor – is also installed. RX8 is different in that it installs over a dozen individual AU, VST, and AAX plug-ins, instead of a single “mothership” plug-in. The filters work in real-time within the framework of the DAW or NLE. In concept, it functions like a channel strip or effects rack. Then, configure the processing modules that you need within the Nectar interface.

#IZOTOPE AUDIO EDITOR INSTALL#

iZotope’s Neutron, Nectar, and Ozone each install as a single plug-in that iZotope likes to call a “mothership.” This means that you apply a single instance of Nectar to a track and it becomes a container.

#IZOTOPE AUDIO EDITOR SOFTWARE#

Some video editing software also comes bundled with one or more of the iZotope Elements products. IZotope offers its products, including RX8, in Elements (“lite”), Standard, and Advanced versions, giving the user the option to pick the feature set that best fits their budget. It’s the latest version of iZotope’s renowned audio repair product. The company offers a number of comprehensive audio products and software suites, but most video editors will primarily be interested in RX8. iZotope is the go-to brand for many who need best-in-class audio effects tools. Most digital audio and video editing applications come with a robust set of audio plug-ins, but many editors and mixers prefer to augment those with third-party effects.